18 October 2024
Art

Maier Museum of Art at Randolph College

The Maier Museum of Art at Randolph College in Lynchburg, Va., is a small art museum with just a couple of exhibition rooms, yet it contains some mighty names: Winslow Homer, Gilbert Stuart, Edward Hopper, Mary Cassatt, and Georgia O’Keeffe (to name just a few).

The museum dates its origins back to 1907, and its collection of prints, paintings, drawings and photographs features works by American artists from the 19th, 20th, and 21st centuries. 

Mrs. Scott’s House, Edward Hopper, 1932.  This painting won the Temple gold Medal by the Pennsylvania Academy of Fine Arts in 1935, and was considered by Hopper to be one of his best works. We visited Hopper’s home in New York State in 2023.
Moret-Sur-Loing, Ernest Lawson, 1893.  I might have guessed this work as a Sisley, so imagine my delight to read that the artist met Sisley when he painted this work in France.  I really like the reflections on the water in this painting.

We went there with expectations of being able to see several works by some artists we were interested in, only to discover that the search results on their website are a bit dubious. For instance, a search for “Prendergast” returns five paintings in the museum’s collection, but you have to open each item individually and scroll down to see the if the words “on view” appear, which they didn’t for four of the results. I only realized this after the fact, so we saw quite a bit fewer paintings than anticipated.

But it was a free museum and we did see some lovely items, so there’s that. All in all, the compact collection that was on display included enough impressive work to keep us engaged in discovery for the entirety of our short visit.

Portrait of Mrs. Polly Hooper, Gilbert Stuart, 1811.  The lace around her neck is just lovely.
Portrait Sketch of William H. MacDowell, Thomas Eakins, 1891.  I’m not familiar with this artist, but I really like the look he captured in his subject, who was his father-in-law. (Doug also points out that Eakins was a friend of Walt Whitman at the end of the poet’s life, painting one the last portraits of Whitman and also making his death mask.)
Mary Scott Swann, John Vanderlyn, 1816.  Though on first glance the dress is rather plain, upon closer inspection it has quite nice detail and texture, and I also like the jewelry.  Her skin is incredibly smooth, with no visible brushstrokes at all. 
Azaleas, John H. Twachtman, 1898.  Another artist I’m not familiar with, but after learning Twachtman embraced the French Impressionists, it’s no surprise I’m drawn to this painting.
Early Evening After Snowfall, Frederick Childe Hassam, 1906.  We’ve been seeing a fair amount of Hassam lately, and he’s rising on my appreciation list.
Marsh Wren, John James Audubon, 1830.  From Audubon’s book Birds of America, containing 435 aquatints of his drawings.
Corway Peak, New Hampshire, Thomas Cole, 1844. We visited Cole’s home and studio in 2023.

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