23 December 2024

Colonial Williamsburg

George Washington by Gilbert Stuart, 1795-1796, commissioned by Major General Henry Lee. It hung in Lee’s Stratford Hall Plantation in Virginia.

I’ll just state up front that I am not a fan of living-history museums. They very much feel to me like if you’ve seen one, you’ve seen them all. Historical cooking? Check. A blacksmith? Check. A tailor? You betcha. Some people say ooh, I say sigh.

However, Colonial Williamsburg is the mother of all living-history sites, so I thought if there was one to do, this was it. Doug had previously been here (twice), so I went while he was working.

An eagle sign, originally dated 1821 and later updated to 1841. The thirteen stars represent the colonies. The sign would declare the shop owner to be a proud patriot.

Colonial Williamsburg is a 301-acre area that has several hundred restored and recreated buildings from the 18th Century, representing the time when Williamsburg was the capital of the Virginia colony. George Washington, Thomas Jefferson, Patrick Henry, James Monroe, James Madison, and many other famous names from history would have been frequent visitors, first as British colonists and later as the leaders of our young nation.

The seat of Virginia’s government moved to Richmond in 1780, after which a long, slow decline followed for Williamsburg. Original buildings were destroyed, modified or slipped into disrepair. However, in the 1920s, a campaign was started to restore Williamsburg as a way to commemorate this era of history in the United States.

The 1750s house of George Wythe, a signer of the Declaration of Independence. Washington used the home as his headquarters before the siege at Yorktown in 1781. This was not open the day I visited.
The Governor’s Palace, reconstructed in the 1930s.

John D. Rockefeller, Jr., became interested in the project, and became a significant financial force for it. By the late 1920s he and a partner were quietly buying up properties, until eventually the plan was publicly revealed.

During the re-creation of the town, 720 buildings that postdated 1790 were demolished, along with some 18th Century buildings that were considered beyond repair.

500 buildings were reconstructed or restored using historical records, letters, early photographs, etc.

However, it was not necessarily a faithful effort. Notes Wikipedia,

The Capitol is a 1930s beaux arts approximation of the 1705 building at the east end of the historic area. It was designed by the architectural firm Perry, Shaw & Hepburn, who had it rebuilt as they thought it should have been, not as it was, despite objections and archaeological evidence to the contrary. The modern reconstruction is off-center, its floorplan is skewed, and its interior is overly elaborate.

Ouch.

The Capitol…not sure it’s fair to call this a reconstruction.
I stepped into the Tailor’s Shop. It was colorful, but not very exciting. I know I’m a killjoy!

My visit started with the orientation film they’ve been showing since 1957. You can imagine the portrayal of slaves shown in that (or you can watch it online yourself, if you’d rather not use your imagination for such things). It was a little rough to sit through, I thought, though if you read the reviews on the link, other people seemed to love it. 

You can wander through Colonial Williamsburg without buying a ticket, but the art museums (one for Folk Art and another for Decorative Arts) and some of the historic homes require a ticket to enter. Considering you can see a good chunk with no ticket, I thought the $50 ticket fee was a bit steep, especially since not everything was open on the day I went. I shelled out for it nonetheless.

I spent most of the day there, determined to get the full experience. I did every tour available, saw some of the demonstrations, and spent hours in the art museums, which were a bit overwhelming, and, I thought, off-topic. I had to return a different day to see the Fife and Drums Corps, since it turns out it doesn’t happen daily (short video below).

Overall, I found the experience to be just “fine”. As not everything opened at the same time, I really crisscrossed the area and got my steps in. But I did not walk away thinking it was worth $50, or that it was something I would recommend to anyone, unless they are someone who can’t get enough of Colonial America and/or watching a costumed interpreter sew.

Bruton Parish Church, constructed 1711-1715.
Beautiful 1830s cupboard with patriotic eagle top center. 1825 chair with stenciled decoration.

Detail from a 1910 New York doll house in the museum. It seemed off-theme to me, but since it had a kitty, I decided it was okay.
Another view of the Governor’s Palace, showing some of the historical gardens.
Inside the Governor’s Palace.
Inside the Governor’s Palace. I liked how they used swords and guns to create artistic patterns on the walls.
The Peyton Randolph House has portions dating to 1715. Randolph was a Founding Father who served as the the first and third President of the Continental Congress.
Inside the Peyton Randolph House.
Inside the Peyton Randolph House.
Porcelain plate from China, circa 1740-1750. It belongs to the Drayton Hall Plantation, which we had visited in South Carolina, which is emphatically not in Williamsburg.
There was an interesting display of colonial toys and the catalogs from which one would order them.
The museums had all kinds of Americana (I mean, so much), but does an 1890 Cider Cooler for a New York Company belong in the Colonial Williamsburg museum? It’s the wrong time period and the wrong region. Less stuff more focused might have served better.
Great Hopes Plantation, a recreation of a Colonial Virginia Farm. The horses were beautiful, especially at dusk.
Okay, this tree is magnificent.

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