22 November 2024

Smithsonian American Art Museum and National Portrait Gallery

Doug and I visited the Smithsonian American Art Museum and National Portrait Gallery in Washington, DC, after a long day walking around the city, which is, admittedly, not the best time to slow down and look at art — especially this much.

The museums share space in the old Patent Office building. Both are part of the Smithsonian Institution and are free to visit.

We are really enjoying seeings connections with works we’ve seen elsewhere in travels. For instance, we’d never heard of George Morris until visiting his home and studio earlier this year, but who should we find hanging in the Smithsonian? The cover photo to this post is Morris’ Industrial Landscape, 1936-1950.

Cape Cod in the Morning, by Edward Hopper, 1950. Oh, hey, we visited the Edward Hopper home in New York!
The 2018 Barack Obama portrait by Kehinde Wiley was better in person than I thought it would be.

The National Portrait Gallery focuses on “portraits of individuals who have made significant contributions to the history, development, and culture of the people of the United States.”

Its collection was seeded by Andrew Mellon, who made a large donation of art in 1937, including enough art to also kickstart the National Gallery of Art.

It took another 30 years, however, for the National Portrait Gallery to get up and running.

It’s the only museum of its kind in the United States, and has over 23,000 items in its collection. Its “America’s Presidents” exhibit is a cornerstone, being the only complete collection of presidential portraits outside the White House. This is a big reason why we visited –– I wanted to see the Barack and Michele Obama portraits.

The Smithsonian American Art Museum has more than 7,000 artists in its collection, which spans the colonial period to the present day.

I went in not liking the 2018 Michelle Obama portrait by Amy Sherald, and walked out liking it even less. I just do NOT think it looks like her, and I hate how gray she is. Where’s the muscle tone in her arms? I like the dress, though.
1845 Samuel Stillgood Osman portrait of our boy Edgar Allan Poe. We’d been to Poe houses in both Richmond and Baltimore.
Circa 1813 Rembrandt Peale portrait of ninth US President William Henry Harrison. We were just at Harrison’s home, Berkley Plantation.
Look at this adorbs picture of Edith Wharton by Edward Harrison May, 1870. We visited her home in Massachusetts many years ago.
When I think of Edgar Degas I think of sculptures and dancers, but this is a portrait of his friend and fellow artist Mary Cassatt (circa 1880-1884). I always feel like I should like Cassatt’s work, but it’s always just not there for me. I do like this portrait of her, however, though I’m not sure I like it $1.3 million dollars-worth, which is what the museum paid for it.
I like this portrait of 18th US President Ulysses S. Grant, painted around 1880 by Thomas Le Clear.
George Washington, the “Lansdowne Portrait,” painted by Gilbert Stuart in 1796. This 8×5 foot painting cost the museum a cool $20 million to acquire.
37th President Richard M. Nixon painted in 1968 by Norman Rockwell! It seems like such a contradiction, though of course the major scandal came well after this painting was completed.
The Four Justices (2012) by Nelson Shanks is 7×5.5 feet and features the first four female justices who to serve on the U.S. Supreme Court: Sandra Day O’Connor, Ruth Bader Ginsburg, Sonia Sotomayor, and Elena Kagan.
Peacocks and Peonies, John La Farge, 1882.  La Farge was a competitor (perhaps rival is better) of Tiffany; not sure why Tiffany is a household name but La Farge isn’t.
This close-up of Peacocks and Peonies shows how intricate it is!
Adams Memorial, Augustus Saint-Gaudens, modeled 1886-91, cast 1969.  A memorial to Clover Adams, late wife of Henry Adams.  We had visited the Adams home in Massachusetts and also the gravesite in DC where another of this statue sits (both of those visits were pre-blog). I’m looking forward to a visit to the Saint-Gaudens park.
Grandma Moses Goes to the Big City, Grandma Moses, 1946.  We had previously gone to a Grandma Moses exhibit, and visited her great-grandson’s gallery.
Summer, New England, Maurice Prendergast, 1912.  I’m fascinated by Prendergast’s pointillism. 
The Spirit, Thomas Wilmer Dewing, circa 1902.  I don’t know this artist, but thought this painting was lovely. 
The Victorian Chair, Childe Hassam, 1906. 
Among the Sierra Nevada, Albert Bierstadt, 1868.  Ever since visiting the  St. Johnsbury Athenaeum, it’s been fun to find Bierstadt in museums.
The Subsiding of the Waters of the Deluge, Thomas Cole, 1829.  I just can’t bring myself to appreciate the Hudson River School paintings, even though I love nature and it seems like a good fit. We visited Cole’s home and studio over the summer of 2023.

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