18 October 2024
Art

Nelson-Atkins Museum of Art

Monet, Renoir, van Gogh, Pissarro, Sisley, Sargent –– there was obviously no doubt we’d be going to the Nelson-Atkins Museum of Art in Kansas City, Missouri. And thanks to a little bit of luck, we were there during the exhibition “Monet in Conversation.”

The Museum is “known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art” (Wikipedia).

Its origins date back to 1911, when Mary McAfee Atkins, widow of a real estate speculator, died, and bequeathed $300,000 to establish an art museum (the value of which more than doubled in the following years while trustees were trying to figure out what to do). Then in 1915 publisher William Rockhill Nelson died, leaving several million in his estate for purchasing artwork for public enjoyment.

Peonies Blowing in the Wind, 1889, John La Farge.
Old Orchard, 1957, Andrew Wyeth.

The initial plan was for two art museums, but the trustees eventually came to their senses and combined the two estates, along with some smaller bequests from others. The museum opened in 1933, with an Atkins wing and a Nelson wing. It formally combined into one cohesive unit in 1983.

Thanks to money being left instead of personal collections, curators were able to assemble the collection themselves. Additionally, this was being done during the Great Depression, which meant lots of items for sale on the cheap. It didn’t take long before the Nelson-Atkins had one of the largest collections of art in the country!

In 2007, an expansion was unveiled that increased space by 55%. Today the museum has impressive collections in so many categories. They hold over 40,000 items and are considered one of finest general arts museums in the United States.

I felt like we saw tons of wonderful paintings and other artworks, not to mention how fun it is to see the works of artist’s whose homes and studios we’ve been to: Wyeth, Peto, Benton, Cole.

But where’s all the impressionist paintings in this post? I had to make another post, there was too much not to share!

The Mill, Sunset, 1844, Thomas Cole.

The cover photo is the top of a Tiffany Studios floor lamp, circa 1902-19.

Books on a Table, circa 1900, John Frederick Peto.
The Channel at Gravelines, Petit-Fort-Philippe, 1890, Georges Seurat.
Tea Service,circa 1929-35, Eva Zeisel.
Bust of a Faun, 1946, Pablo Ruiz y Picasso.
Bookcase, 1852-53. If I’m reading the card right, it was designed by Gustave Herter, and the woodworker was Ernst Plassmann.
Woman Seated Before a Black Background, 1942, Henri Matisse.
Crapshooters, circa 1928, Thomas Hart Benton.
The Benton Farm, 1973, Thomas Hart Benton.
The Terrace at Chateau de Marly, circa 1780, Hubert Robert.
Gloucester Harbor, 1873, Winslow Homer.
Mrs. Cecil Wade, 1886, John Singer Sargent.
Look at that detail on that Sargent dress!
Looking Over the Hudson at Milton, circa 1886-88, George Inness.
More Benton ’cause we just went to his studio! Hollywood, 1937-1938, Thomas Hart Benton.
Persephone, 1938-1939, Thomas Hart Benton.
Settee,circa 1855, Charles A. Baudouine.
Castle Island, circa 1915-18, Maurice Brazil Prendergast.

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