22 November 2024
Art

The National Silk Art Museum

We don’t know anything about “silk art” and honestly really never thought much about it before, but we said sure, why not, we’ll pop in and take a look. The National Silk Art Museum in Weston, Missouri is a relatively small museum in a relatively obscure spot with not much info out there about it, but it still manages to pack a punch.

The museum has “over 500 masterworks of French and English silk tapestries based on work by major artists from the 15th through the 20th century” (per their website). The tapestries weave silk textiles into pictures and images – some so detailed they look almost like a photograph or painting.

Heros du Jour by Frederick Morgan, woven by Neyret Freres in France.
Séance de Pose, attributed to Alexander-Louis Leloir.

Indeed, the museum founder John Pottie’s first foray into the realm of silk art started with him bidding on what he thought was an old print, only to discover it was actually a piece of woven silk. This started him down the path, and here we are more than four decades later.

The pieces were made with a jacquard weaving machine, which was invented in the 1700s. It utilizes punch cards on mechanical looms – a precursor to the punch card technology that became the first IBM computers! Lest we oversimplify matters, one image the size of a piece of paper could take 24,000 individual punch cards!

The cover photo, woven by Neyret Freres in France, is of Jeunesse by Leopold Francois Kowalski.

Presidential tapestry for Doug: Abraham Lincoln by Francois Michel-Marie Carquillat, woven in 1876 for the Centennial International Exposition in Philadelphia.
La Lecon de Clavecin by Jules Alexis Muenier, woven by Neyret Freres.
Close up on La Lecon de Clavecin by Jules Alexis Muenier, woven by Neyret Freres. It’s amazing how different it looks zoomed in!
Jeanne d’Arc attributed to Gabriel Francois Doyen, woven by Neyret Freres, 1909.
A souvenir of the Buffalo Bill “Wild West” show, woven in 1887 by T. Stevens.
Scottish poet Robert Burns, woven in 1887 by Stevens.
Le Sentier Dangereux attributed to Johann Hamza, woven by Neyret Freres, 1902.
A La Source, woven by Neyret Freres, 1926.
Le Filleul attributed to Joseph Guillen Simont, woven by T. Simon.

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