11 January 2025

United States Capitol

“Very chaotic” is really the only way to describe a regular tour of the United States Capitol. There are literally hundreds of people going on the tour at once, spread out between several groups. Everyone is given a headset and told to keep up. But since we’ve been working on visiting all the state capitol buildings, it seemed only fitting to give the federal one a go.

Construction of the building began back in 1793, and sections were completed with remarkable progress for a government project. The north wing was ready for use in 1800, and the south wing in 1807. Of course, by the time the south wing was completed, the north wing needed repairs, as it was already suffering from rotting floors, a leaking roof, and falling plaster.

The Crypt, which was intended to be the burial place of George Washington. However, Washington’s will stipulated that he be buried at Mount Vernon, so that was the end of that idea. A compass star inlaid in the floor in the center marks the point at which Washington, D.C. is divided into its four quadrants and is the basis for how addresses are designated (NE, NW, SE, or SW).
Plaster model for the Statue of Freedom, which was used to cast the bronze statue of the same name that stands atop the U.S. Capitol Dome.

Progress got set back a bit when the British set the capitol on fire during the War of 1812. Restoration of the damaged sections was completed within a few years, and the center portion was good to go by 1826. Within a few decades, however, space was already at a premium -– in part due to newly admitted states -– and in the 1850s the south and north wings were both extended.

The original dome looked rather pathetic after the 1850s expansion more than doubled the length of the building to 750 feet. A new dome, three times taller than the original, was completed in 1866, pushing the capitol to nearly 300 feet tall. The dome is 100 feet in diameter and weighs 9 million pounds!

The Statue of Freedom was placed on top of the dome in 1863. It was designed by Thomas Crawford in his studio in Rome, and cast in a local foundry from 1860-1862. It is 19.5 feet tall, weighs nearly 13,000 pounds.

The tour includes the Crypt, the Rotunda, and National Statuary Hall, but not the Senate and House Galleries – those require special tickets arranged through your state representatives. Considering the logistical planning involved in our time in DC, we thought it best to save those for another time. After the tour we spent some time in the exhibition hall, which had some historical artifacts on display.

Statuary Hall is home to many of the statues donated by the states. Each state is represented by two statues to “honor notable citizens,” as chosen by their state legislature. There were lots of civil rights leaders and positive role models. Imagine my surprise to see that Mississippi is represented by traitor Jefferson Davis – I mean, they literally chose a man who attempted to rip apart the United States to be the approved representative of their state. I cursed out loud – repeatedly – and spent the rest of the tour stewing over it. I did email Mississippi’s governor after the tour, so I’m sure they’ll get on fixing that. Even Virginia has removed their statue of Robert E. Lee (to be replaced by a leader of the Civil Rights movement).

Rosa Parks’ statue is the only statue in Statuary Hall not linked with a state, and it’s also the first full-length statue of an African American in the Capitol. It was installed in 2013. This is a model for the statue in the exhibit area (with so many people on the tour, it was not possible to take a nice picture of the final statue).
Residents of Washington, D.C. may not have representatives in the U.S. Capitol, but they do have a statue. Civil rights icon Frederick Douglass was added to the collection in 2013.
The Rotunda, a ceremonial space full of art and statues. The center of the dome features The Apotheosis of Washington, with a frieze running around the base; see close-up pictures of these below.
Unlike Mississippi, Alabama got their act together. In 2009 they replaced a statue of a man who “supported the Confederate cause and white supremacy” with this lovely statue of Helen Keller.
The Apotheosis of Washington by Constantino Brumidi, 1865. It shows George Washington surrounded by symbols of American democracy and technological progress. It took 11 months, with Brumidi suspended 180 feet in the air to paint the piece in place. “Apotheosis” means raising a person to the rank of a god.
Constantino Brumidi was painting the frieze that rings the Rotunda when he died, so it was finished by other artists. The work illustrates major events in U.S. history over 19 scenes (pictured in the center is the Wright Brothers at Kitty Hawk). The technique is “grisaille,” a monochrome of whites and browns to give the effect of sculpture. When you first glance at it, you assume it is indeed sculpture, not a painting.
More than 1,000 different patterns of ornate floor tiles were made by English manufacturer Minton, Hollins & Company for the 1850s expansion of the Capitol. These were on display in the Exhibition area.
The Small House Rotunda, leading to what was at the time of its construction in 1806 the Hall of the House. This section survived the fire set by the British in 1812.
This table was made with surplus ironwork cast for the Capitol Dome. Abraham Lincoln used it at his second inauguration.
A 2009 luncheon celebrating the bicentennial of the birth of President Abraham Lincoln was themed “A New Birth of Freedom.” The pattern for the luncheon china was based on Lincoln’s presidential china. This place setting was used by President Barack Obama during the luncheon. From the exhibition area.
Portrait Monument of Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mottby Adelaide Johnson. This was presented as a gift from the women of the United States by the National Woman’s Party in 1921. It was unveiled in the Rotunda, then “temporarily” relocated to the Crypt, where it remained until 1997, when it moved back to the Rotunda. It’s the only monument to feature women in the Rotunda, and it looks like it has a spot for a fourth bust. But the artist never said why or what it represents! It’s a mystery!
Arkansas also got their act together, replacing their Confederate supporter and slave owner with Daisy Lee Gatson Bates in 2024. Bates was a Civil Rights activist and journalist, who fought for the integration of Little Rock. A pin on her lapel is for the NAACP.
This room served as the meeting place of the U.S. House of Representatives from 1807 to 1857. It fell into disuse for several years, then was repurposed as a statuary hall. It is now known as the National Statuary Hall, and houses many (but not all, due to space limitations) of the statues donated by each of the states. Each state is allowed two.
Philo T. Farnsworth, the “father of television,” who is holding a camera tube in his 1990 statue. On one hand, I’m amused Utah chose television as their way to go, but on the other hand, they really could have gone sideways with very little effort.

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