11 January 2025

The National Gallery of Art

We’ve previously been to the National Gallery of Art (NGA) in Washington, D.C., but since we made a return visit to see the exhibit Paris 1874: The Impressionist Moment, of course we took another spin through. We’ve certainly got some new artists on our radar since our last visit, and the East building was not open on last time.

The NGA was established in 1937 with a resolution by the United State Congress and a substantial donation by Andrew W. Mellon of artworks and funds for construction. Today it is one of the largest museums in North America, and it’s free!

The Port of La Ciotat, 1907, Georges Braque.
I love me a good museum scene. Here we’ve got: a mahogany side chair made in Salem, Massachusetts circa 1790-1800; portraits of Abigail Smith Adams and John Adams (circa 1800/1815) by Gilbert Stuart; a mahogany Pembroke table from Charleston, SC circa 1790-1800; a porcelain Monteith (punch bowl) from China, circa 1795-1815; white pine looking glass from New York, circa 1790-1810, featuring yours truly; mahogany armchair from New York circa 1785..

The “collection of more than 150,000 paintings, sculpture, decorative arts, photographs, prints, and drawings spans the history of Western art and showcases some of the triumphs of human creativity.” It is truly a marvelous collection with something for everyone.

The museum also has a sculpture garden that opened in 1999. As we’d previously visited that on a nice spring day, we didn’t feel the need to do it again on a blustery winter day.

Of course I made the Impressionists their own post – so much good stuff!!  The cover photo is Finny Fish, 1948, Alexander Calder.

Florence Sittenham Davey (Mrs. Randall Davey), 1914, George Bellows.
Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883, John Singer Sargent.
The Hon. Mrs. Thomas Graham, c. 1775/1777, Thomas Gainsborough.
Farmhouse in Provence, 1888, Vincent van Gogh.
Detail on Farmhouse in Provence, 1888, Vincent van Gogh.
Lady Caroline Howard, 1778, Sir Joshua Reynolds.
Autumn, 1877, Winslow Homer.
Rubens Peale with a Geranium, 1801, Rembrandt Peale. This is thought to be the first geranium grown in the United States.
The Lone Tenement, 1909, George Bellows.
Take Your Choice, 1885, John F. Peto.
Portrait Relief of Robert Louis Stevenson, model 1887/1888, cast 1902, Augustus Saint-Gaudens. Stevenson and Saint-Gaudens became friends when Stevenson traveled to the United States in search of relief from his chronic tuberculosis.
Ginevra de’ Benci (obverse), 1474/1478, Leonardo da Vinci.

This is the only painting by da Vinci in the Americas. Da Vinci was about 22 years old when he painted Ginevra de’ Benci’s portrait at the time of her marriage when she was 16. On the back is a “symbolic ‘portrait’ of Ginevra. The juniper sprig framed by laurel and palm branches refer to her purity, wisdom, and achievement, as does the Latin phrase ‘Beauty Adorns Virtue’.” The portrait is among da Vinci’s earliest experiments with the new medium of oil paint.

On the back side of Ginevra de’ Benci is Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat.
Still Life, 1918, Pablo Picasso.
Cobalt Night, 1962, Lee Krasner.
Lady Elizabeth Delmé and Her Children, 1777-1779, Sir Joshua Reynolds.
Clara and Lizzie, Daughters of Frederick and Elizabeth Shattuck, model 1893/cast 1894, Bela Lyon Pratt.
Untitled, 1930, Alexander Calder.
Reconciliation Elegy, 1978, Robert Motherwell. This is a huge painting hanging in the East Building atrium. It measures 10 feet by 30 feet!

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