29 April 2025
Art

Blue Grass, Green Skies

We’ve previously been to the New Britain Museum of American Art, but I saw they were having an exhibition on Impressionism while I was in the area, so of course I made a stop. The exhibit is Blue Grass, Green Skies: American Impressionism and Realism from the Los Angeles County Museum of Art.

As is probably obvious from the title, the small exhibit features paintings loaned from the Los Angles County Museum of Art (LACMA). Of course, while in the museum, I also sought out Impressionist paintings from their permanent collection.

Point Lobos, Carmel, 1914, Childe Hassam. On loan from LACMA.
River Landscape, 1900, Ernest Lawson. On loan from LACMA.

The exhibit takes its name from a New York Times article discussing the arrival of Impressionism in America in 1886, when a large-scale exhibition of French Impressionist works was held.

They said that although the paintings were often criticized for their “blue grass, violently green skies, and water with the coloring of a rainbow,” Americans would nevertheless benefit from studying the “vitality and beauty” in the works.

The cover photo is Cove, Maine, circa 1907-1910, Maurice Prendergast. It is on loan from LACMA.

Boston Street Scene, 1900, Childe Hassam. On loan from LACMA.
Strawberry Tea Set, 1912, Childe Hassam. On loan from LACMA.
Ponte Vecchio, 1897, Childe Hassam. On loan from LACMA.
The Coming Storm, 1916, George Bellows. On loan from LACMA.
At the Festa del Redentore, 1908, Ivan G. Olinksy. From the permanent collection.
Summer Trees, 1873-1902, John Henry Twatchtman. From the permanent collection.
Union Square, New York (Snowy Morning, Union Square), 1895, Theodore Robinson. From the permanent collection.
The Bird Cage, circa 1910, Frederick Carl Frieske. From the permanent collection.
Le Jour du Grand Prix, 1887, Childe Hassam. From the permanent collection. This painting won the Gold Medal at the Paris Salon of 1888.
Salem, circa 1902-19104, Maurice Prendergast. From the permanent collection.

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