22 November 2024

The Purcell-Cutts House

Architect Frank Lloyd Wright was not involved or in any way affiliated with the Purcell-Cutts House, but if we hadn’t known better we might have guessed it to be one of his works. That’s because the home’s architect, William Purcell, designed it in a Frank Lloyd Wright-esque Prairie School style which actually had its roots with Chicago architect Louis Sullivan, under whom both Wright and Purcell worked.

Purcell built the home for him and his family, and they lived in the home from its completion in 1913 until 1918 when they relocated out of state. However, the Cutts family that followed stayed for 66 years, and they made almost no modifications to the home at all, so it stands as a true period piece.

Looking into the living area from the dining area. Note the tented ceiling (which created storage space in the floors of the second floor!).
The big portrait in the entryway is of Purcell’s grandfather, which the Cutts kept in place all those years!

The Purcell-Cutts House is located in Minneapolis, Minnesota. Though Purcell designed the building itself, his partner George Elmslie is the designer who added all the decorative touches that make it a beautiful home.

Like other homes from this school that we’ve recently seen, the structure was set back on its 50-by-150 foot lot, so when the family sat down to dinner they looked across their neighbor’s backyards and not into their houses, like in most every other house on the block. This also meant they had a larger front yard than everyone else, and in this case, almost no back yard at all.

The Cutts family donated the home in 1985 and it is now part of the permanent collection of the Minneapolis Institute of Art. The museum also features a gallery of work by Frank Lloyd Wright, William Purcell, and George Elmslie.

From the living room, looking back towards the dining room over the balcony, with the entrance to the right. There’s shelves in the glassed cases from and center, and a writing nook to the left.
The windows along the front of the house, with a long cushioned bench to get cozy on with a book. Them windows, tho!
The painting over the fireplace is by Charles Livingston Bull. There is reflective tile instead of mortar in the bricks to reflect the light from the fire!
Decorative window in the writing nook.
In the stairwell. Every room had its own unique stencil design running around it, even the stairs and halls!
That dining room table is on wheels, so it can be rolled straight through the double doors and out onto the porch! Note he tented ceilings again. The chairs have glass cutouts in them, and the table also has a reflective inlay.
Look at this huge screened in porch! When the home was built it had a lovely view of a lake, but today there is a McMansion blocking the view.
Though hard to see from the street level, there is a small pool in front of the house. Here you can see the potential for a garden around the pool and in front of the windows.
So many decorative details everywhere, even on the exterior. There was also stenciling running around the exterior under the roof line, but it was hard to get a good picture of.
This bedroom for one of the children was inspired by a sleeping car on a train. More stenciling! The below-floor storage is visible here, made possible by the space created by the vaulted ceilings of the first floor.
Sitting area in the bedroom. Note the fancy book case at the end of the bed – the door opens up and a desk folds into place.
The parents’ bedroom is in the front, with a folding screen wall to separate it (or not) from the child’s bedroom.
Bedroom lamp with more stenciling behind.
Front door.
Book stand.
Hanging lamps.

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