24 December 2024

Taft Museum of Art

We visited the Taft Museum of Art in Cincinnati, Ohio on a hunch. We weren’t sure there was anything there that would particularly interest us, but something about it said we should do it, so we did. What’s another art museum at this point?

Well, it was delightful. The museum is located in a mansion that was built around 1800 for businessman and politician Martin Baum, but of course it’s named for the Tafts, who also happen to have a presidential connection. The third owner, David Sinton, was the father of Anna, who married President William Howard Taft’s half-brother Charles Phelps Taft.

The Music Room, where Charles and Anna Taft were married in 1873. Their portraits hang over the fireplace mantles.
The Dining Room, featuring a [possibly] Duncan Phyfe mahogany table, circa 1810-1820.

The Tafts were avid art collectors, and they lived in the house from 1873 until their deaths (1929 and 1931). When Sinton died in 1900, he left his daughter a whopping $20 million (about $600 million today), at which point the couple began collecting art in earnest. They bequeathed their home and collection of 530 pieces of art to Cincinnati in 1927, and the museum opened a few years later.

The architecture and design aspects of the house are a much a part of the visit as the art is itself. One highlight was the Duncanson Murals, a series of eight large (9 x 6.5 feet each) landscape murals painted directly onto the plaster walls by Robert S. Duncanson in 1850 and 1852.

Besides the fact that they are “recognized as the most significant pre–Civil War domestic murals in the U.S.,” the artist was an African American of international acclaim. The murals were commissioned by second owner Nicholas Longworth.

The Duncanson Murals were covered with wallpaper in accordance with changing tastes sometime after 1863, but they were restored by the museum
Robert Louis Stevenson, John Singer Sargent, 1887.A family friend said of the painting, “It is living to the tip of the cigarette.”

The art collection includes some big names in painting, but also many decorative art pieces in porcelains, sculptures, enamels, furniture, and more. However, the art collection also included quite a few pieces by artists we didn’t know or didn’t know well that grabbed our attention, which is always gratifying.

The cover photo is of the mansion. In 1908 William H. Taft accepted his presidential nomination there from the portico.

Maria, Duchess of Gloucester and Edinburgh, Thomas Gainsborough, circa 1779. Maria was a widow with three children when she married Prince William Henry in secret. After that, a law was passed that required all members of the royal family to obtain the sovereign’s permission to marry. The law was only updated in 2013 to apply to the first six people in the line of succession!
Edward Satchwell Fraser, Jr., Henry Raeburn, 1803. Edward was 17 at the time of this painting, and that same year he joined his older brother in Guyana to manage the family’s cotton and sugar cane plantations. While slavery was outlawed in Great Britain, it remained legal in British colonies until 1833, when it was replaced with a system of indentured servants (pretty much the same thing) until 1917.
Mrs. John Weyland and Her Son John, Joshua Reynolds, 1776. John “extends a playful arm toward the view of the substantial property he will someday inherit.” Reynolds introduced “familiarity and intimacy into British portraiture”, which had previously been more formal.
At the Piano, James McNeill Whistler, 1858-59. This is “widely considered” his “first masterpiece for its elegance and balance.” It features Whistler’s niece Annie and his sister Deborah, who is wearing a mourning dress because it was painted not long after the death of their father.
Ferry-Boat near Bonnieres-sur-Seine, Charles Francois Daubigny, 1861. Daubigny converted a boat into a floating studio to paint this.
From the exhibit Resilience: New Ceramic Works by Terri Kern. This is Boundary.
“Rice Grain” Bowl with a Floral Design, about 1790, Qing dynasty. The pattern is created using a small knife (the “rice grain” technique).
Notebook, House of Faberge, circa 1900. It’s made of Enamel on gold with diamonds, and is quite small – about 3×4 inches.
Vase with Butterflies and Bees Flying Above Chysanthemusm; Vase with Elephant-Head Handles and Flowring Lotus; Vase with Dragon Handles and Chysanthemums. All China, Ming dynasty, late 1500s-early 1600s. The style of raised areas using clay paste is known as “fahua.”
Snuffbox with Floral Still Lifes, Hamelin (enameler) and Jean Ducrollay (goldsmith), 1757-58. Enamel on gold with diamonds.

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