17 January 2025

Rosenbach Museum and Library

We both love reading and we both love old books (downsizing our antiquarian book collection was one of the hardest parts of transitioning to van life). So while a visit to the home of someone who collected rare books might not be the most visually appealing of stops, it was definitely something we both wanted to do.

The Rosenbach Museum and Library is located in two 19th-century townhouses in Philadelphia. Some of the space is where the Rosenbach brothers, Simon (1876-1952) and Philip (1863-1953), lived, and some is where their historic book collection is. The brothers were owners of the Rosenbach Company, which dealt in rare books, letters and manuscripts, as well as decorative arts

Yessiree, that’s a Chippendale chest. Also notice the decorative work along the ceiling and on the walls.
One of two rooms lined with antiquarian books that we got to see. This is just a small portion of the 18,000 books in the Rosenbach’s collection. On top of the bookcases are some of a collection of 1830 models of places significant in William Shakespeare’s life, such as the home of his wife, Anne Hathaway.

Simon was the driving force behind the rare book side of the business, and he helped build renowned libraries such as Widener Library at Harvard, the Huntington Library in California, and the Folger Shakespeare Library in Washington, D.C. (which we had just recently visited).

Simon was a frequent attendee at Sotheby’s auctions, where he was known as “The Terror of the Auction Room.” His Paris auction antics earned him the nickname “Le Napoléon des Livres” (“The Napoleon of Books”). Over the course of his career, he bought and sold eight Gutenberg Bibles and 30 of Shakespeare’s First Folios.

A portrait of Rebecca Gratz by Thomas Sully, 1831. Rebecca was 50 years old when Sully painted this, so I’m not sure if that makes him more or less talented.

The Rosenbach collection is wide ranging, from a Canterbury Tales manuscript to hundreds of letters by George Washington to an extensive collection of Robert Burns manuscripts. There’s an excellent Dickens collection, and a handwritten manuscript of James Joyce’s Ulysses. The living room of an American poet, critic, translator, and editor Marianne Moore has been recreated in one room. You get the picture.

The house is furnished as the Rosenbach brothers would have had it during their 1926 to 1952 residence, with 18th century English pieces. There’s a thorough collection of English silver and gold from the 17th and mid-18th centuries, along with more than one thousand portrait miniatures. “Choice collections of 18th century porcelain, glass, paintings, drawings and sculpture are drawn upon to complete the furnishings.”

Marianne Moore’s recreated living room.
James Joyce death mask.
Autograph manuscript notes and outline for Dracula by Bram Stoker, circa 1890-98. Stoker used a commercial calendar notepad to plot an early draft of the book.
The painting is of Solomon Moses by Gilbert Stuart, 1806.
The Book of Were-Wolves: Being an Account of a Terrible Superstition by Sabine Baring-Gould, 1865. Bram Stoker used this book in his research for Dracula. It includes chapters such as “Natural Causes of Lycanthropy” (lycanthropy is the delusion that one has become a wolf) and “Anomalous Case – the Human Hyaena”.
Inside the Rosenbach home.
Inside the Rosenbach home.
The front door of the living quarters side of the Rosenbach.
Autograph manuscript of the “Telemachus” episode in Ulysses by James Joyce, 1917-1921.
I believe the painting is L’ingresso di Canal Grande by Vincenzo Chilone.
Fragment of The Canterbury Tales manuscript by Geoffrey Chaucer, circa 1400.
Of course I’m including a volume from the first edition Pride and Prejudice by Jane Austen, 1813. Look at that beautiful (and satirical) opening line, “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

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