23 February 2025
Art

M.C. Escher: Infinite Variations

We went to the Reading Public Museum to see an Impressionism exhibit, but had this M.C. Escher (1898-1972) exhibit on our radar, as well. It went on and on, room after room – what a surprise it was! It included 150 pieces from a private collection, and featured works that spanned his entire career. Over his lifetime, Escher made 448 lithographs, woodcuts, and wood engravings, in addition to more than 2,000 drawings and sketches.

Escher was a well-known graphic artist, but his fascination with mathematical theory impacted his art. He referred to himself in an interview as a mathematician rather than an artist. He was most known for his mind-bending, seemingly impossible images, which “challenged notions of reality and its underlying structures.” However, this exhibit showed other sides of his work, as well, which was very interesting to see.

The cover photo is Three Spheres II, 1946, which features himself in a self-portrait.

Church Organ (St. Bavo, Haarlem), 1920. The early date makes it one of “his first experiments in perspective.”
Cubic Space Division Construction Model, unknown date. “Due to the surprising complexity of finding a vantage point that would allow a maximum amount of visibility, Escher built this actual three-dimensional artifact out of rods, woolen thread, and wax.”
Cubic Space Division, 1952. “While exploring ways to represent three-dimensional space, Escher conceived this view, a seemingly endless mechanical construction accentuated by the connecting cubes. Intersecting each other at right angles, girders divide each other into equal lengths, each forming the edge of a cube. In this way space is filled to infinity with cubes of equal volume.”
Relativity, 1953. “In Relativity, Escher not only expresses the idea that viewpoints are not fixed, but introduces yet another concept that he would tirelessly explore: what is a ceiling to one group is a wall to another; what is a door to one group s a trapdoor in the floor to another.”
Verblifa Tin, 1963. Escher was commissioned to create a cookie tin, for which “he used the form of an icosahedron (a regular, twenty-sided form) and decorated it with starfish and shells.”
Drawing Hands, 1948.
Portrait of G. Escher-Umiker (Jetta), 1925. Jetta was Escher’s wife.
Second Title Page from XXIV Emblemata, 1931.
Street in Scanno, 1930.
Regular Division of the Plane I, 1957.
Table of Contents from XXIV Emblemata, 1931. I love the little pictures that go with each chapter.
Frogs from XXIV Emblemata, 1931.
Sky and Water I, 1938. “This is a bold print that speaks of the harmony of creation…fish become birds and sea becomes sky, expressing the interdependence of nature.”
Reptiles, 1943.
Cloister of Monreale, Sicily, 1933.
Circle Limit IV: Heaven and Hell, 1960.
Three Worlds, 1955.

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