25 December 2024
Art

Gibbes Museum of Art

The Gibbes Museum of Art is a small art museum in Charleston, South Carolina. It was established in 1858 as the Carolina Art Association, with a goal of promoting fine arts in the state. It moved into its current location, a Beaux Arts building, in 1905, after James Gibbes left funds for the new building in his will.

The museum features primarily American work, many with a regional focus. The museum has a permanent exhibit on miniature portraits, claiming that the first American miniature portraits were done in Charleston (though honestly, how is such a thing to be proven?). The Gibbes’ miniature portraits collection contains more than 600 pieces, making it one of the most comprehensive collections in the United States.

Morning Light Near Charleston, South Carolina, c 1940, by Anthony Thieme.
Woman Sitting on Porch, FSA, c. 1935, by Dorothea Lange. This is one of several photos that Lange took of this mother, including one of the most famous Depression-era photographs that you have probably seen.

During our visit we saw a large photography exhibit, The Bitter Years: Dorothea Lange and Walker Evans Photographs from the Martin Z. Margulies Collection, which is on display through January 14, 2024.

The exhibit features images that document the Great Depression. Working for the Farm Security Administration, part of Roosevelt’s New Deal program, photographers were hired to capture the social landscape of the country, thus highlighting the challenges facing Americans between 1935 and 1944.

The cover photo to this post is from this exhibit, Farmer Who Will Be Resettled.  Wolf Creek Farms, Georgia. FSA, 1935 by Arthur Rothenstein.

Peggy and Bess with George, Near Folly Island, 1935, by Henry Botkin
Meeting Street, c. 1925, by Ivan Summers
Magnolia Gardens, c. 1920, by Alfred Hutty
Wild Rice Fields, c. 1920, by Alice Ravenel Huger Smith
John Laurens (1754-1782), 1805, by Charles Fraser.  If you’re a Hamilton fan like us, you know why I’ve got Laurens included!
Saint Phillips, South Carolina, 1925, by Childe Hassam.
April (The Green Gown), 1920, by Childe Hassam.
Not sure what these were doing in an art museum, but these are Slave Tags from 1800 and 1803.  Per the accompanying sign, these “were issued by Charleston city officials to enslaved African Americans hired out by their masters to work in urban areas.  The tags served as proof that a slave had permission to leave the property of his owner unescorted.”
Mrs. and Mr. Rawlins Lowndes, ca 1825, attributed to Henry Inman (from the miniature portrait collection).

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